A Clarinet to Remember

March 16, 2015Sydney Boyd

An invigorating trio of Ives, Copland and Dvořák at Houston Symphony Orchestra this weekend, with soloist Martin Fröst, in his HSO debut, leaving a deep impression. Read my review at Bachtrack.

Houston Symphony Bachtrack, Copland, Houston, Houston Symphony, Ives, Martin Fröst, Sydney Boyd, Symphony no. 7

Sydney Boyd

Previous Article← Graf Conducts at Houston Symphony

Next ArticleDamnation without Purification →

Opera notes delivered to your inbox

No spam, I promise, and you can unsubscribe any time.

Please, insert a valid email.

Thank you, your email will be added to the mailing list once you click on the link in the confirmation email.

Your Email

Leave this field blank

Spam protection has stopped this request. Please contact site owner for help.

This form is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

About Me

Sydney Boyd is a critic in Houston, TX. She studies how music shapes narrative temporalities in 20th-century literature in the English PhD program at Rice University, and, occasionally, returns to her origins as a violinist.