Counterpoint Gone Wild

Who doesn’t love Bach for his fugues? In Bach’s 1738 instructional book on counterpoint, Precepts and Principles for Playing the Thorough-Bass, he writes: “It is played with both hands on a keyboard instrument in such a way that the left hand plays the written notes, while the right hand strikes consonances and dissonances, so that this results in a full-sounding Harmonie to the Honour of God and the permissible delight of the soul.”

High stakes. The Brentano String Quartet is adding to them with their Art of Fugue, presented as part of Da Camera of Houston’s season next Friday, March 3. Read my interview with first violinist Mark Steinberg at Houstonia Magazine.

Calling all Scholars!

I’m proposing a session about my favorite things at the 2018 Modern Language Society  Convention in NYC and I would love to get your proposals! See the call below. (And wide range really means wide range, but if you have questions you can email me too.)

Special Session: Opera and Literature
Throughout the history of opera and literature, the two have overlapped and informed each other. This session welcomes a wide range of papers on the topic. 300-word abstracts by 15 March 2017; Sydney Boyd (sboyd@rice.edu).