Girl at the Opera


Passionate Control: Orozco-Estrada Continues to Impress at HSO
Monday November 24th 2014, 9:36 am
Filed under: Houston Symphony

Houston Symphony presents a moving program of fateful works from Beethoven and Brahms to Mozart’s Requiem. Read my review at Bachtrack.



OH’s Hänsel and Gretel will Knock Your Socks Off
Saturday November 22nd 2014, 9:20 am
Filed under: Opera in the Heights

Katie Dixon (Gretel), Jenni Bank (The Witch) and Hilary Ginther (Hansel). Deji Osinulu Photography

Just because a story is about children doesn’t mean it’s only for kids. Opera in the Heights’ production of the Engelbert Humperdinck’s 1893 Hänsel and Gretel (with libretto aptly written by his sister, Adelheid Wette) is a marvel. With singing this good, Hänsel and Gretel is no trifle.

No doubt this opera was a success because of many talented people, but Artistic Director and conductor Enrique Carreón-Robledo has truly outdone himself here, particularly with the score. It’s supposed to be for a much larger orchestra, and the parts are difficult. But the sound was full and vibrant. More than once I watched the violinists’ fingers scatter across the fingerboard to pull off Engelbert’s perilous arpeggios with total adeptness. And my hat goes off to cellist H. P. Scott Card who played some astoundingly graceful solos with genuine poise.

And where to begin with the Emerald Cast’s singers—all of whom were excellent? Singing the plucky part of Hänsel, Hilary Ginther proved a gifted mezzo-soprano with a knack for comedy. Her voice, even in the cross-gender role of a young boy, has an impressively pure timbre—accurate and daring and exciting to listen to. Soprano Katie Dixon as Gretel complemented Ginther with a certain sweetness that I expect blossoms into something quite rich and golden when in a more serious, adult role. As the parents Gertrud and Peter, soprano Cassandra Black and baritone Brian Schircliffe exemplified an ideal combination of light humor and profound talent. As the only male voice against a cast of women, Schircliffe’s hearty baritone particularly soared over the stage.

Perhaps most memorable was Jenni Bank, the hunch-backed villain Knusperhexe who flew in on a broom in the third act and made this opera her own. She might have been baked into gingerbread cookies, but her voice is what I’m still marveling over. With a complex mezzo-soprano timbre, flush with color but technically exact, it was a surprise that Bank could also cackle and crackle her evil spells “Hocus pocus!”

Stage Director Mary Birnbaum, finally, was a real catch for this production. It’s unlike anything I’ve seen from OH before. The set, by Robert Roldan and Joshua Slisz, was bare but tasteful. Wispy pines, accompanied by an ethereal mist, set the magical mood of the fairytale. Walls rolled around cleverly to turn the forest into a charming gingerbread house. And the period-piece lederhosen costumes, by Dena Scheh, were right on the mark.

Introducing the opera, Executive Director Allison Hartzell said, “This children’s chorus will knock your socks off!” and she wasn’t kidding. The seventeen-strong choir from HITS Theatre strolled out and delivered beautiful singing. And they were visually delightful to boot, not only because of their gingerbread outfits, but also because of some smart blocking.

I admit that I was surprised by this performance. It’s utterly fantastic. There are only two more shows—one tonight and one Sunday afternoon. Go see it.

 

For tickets and other info, visit Opera in the Heights’ website.



A Wig Slip Wonder: Cosi at Houston Grand Opera
Tuesday November 04th 2014, 11:32 am
Filed under: Houston Grand Opera

A vanilla production of Mozart’s very fine Cosi, except for one refreshing accident! Read my review at Houstonia Magazine.

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For Philip Guston
Monday November 03rd 2014, 2:51 pm
Filed under: Da Camera

I sat for five hours in the Rothko Chapel on Sunday listening to Morton Feldman’s rarely performed For Philip Guston–a performance that was out of this world. Read my review of Da Camera’s courageous undertaking at Houstonia Magazine.

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HGO’s Otello leaves last season in the dust
Monday October 27th 2014, 12:33 pm
Filed under: Houston Grand Opera

My review of HGO’s remarkable Otello at Houstonia.

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In Brief: On Riyaaz Qawwali
Wednesday October 22nd 2014, 12:29 pm
Filed under: Intermission

From Theodore Bale, a thoughtful review of an extraordinary Qawwali concert at the Menil on Monday. Rarely does Houston’s art scene remember this side of music in town.

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Kozhukhin at Houston Symphony
Monday October 20th 2014, 7:56 am
Filed under: Houston Symphony

An astounding performance by Denis Kozhukhin of Prokofiev’s Piano Concerto no. 2 at Houston Symphony. Read my review at Bachtrack.

You can watch his sublime encore of Gluck’s “Dance of the Blessed Spirits” here: Kozhukhin Encore

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Al-Zand, Barber, and Copland at Houston Symphony
Monday October 06th 2014, 10:29 am
Filed under: Houston Symphony

A beautiful concert of American landscapes featuring violinist Sarah Chang. My review at Bachtrack.

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Rigoletto at Opera in the Heights
Monday September 29th 2014, 11:42 am
Filed under: Houston Grand Opera,Opera in the Heights

Opera in the Heights opens its 2014-2015 season with a popular classic that Houston Grand Opera did just last year. Read my review at Houstonia.

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Houston Symphony: More of the New, Please
Monday September 22nd 2014, 7:28 am
Filed under: Houston Symphony

World Premiere Karnavalingo by Gabriela Lena Frank up against Rachmaninoff’s Piano Concerto no. 2 and Strauss’ Ein Heldenleben in Houston Symphony’s Classical Season Opener. Read my review at Bachtrack.

 

 

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