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Verdi

Damnation without Purification

March 23, 2015Sydney Boyd

My review of Houston Symphony performing Verdi’s Requiem on Friday night.

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HGO’s Otello leaves last season in the dust

October 27, 2014Sydney Boyd

My review of HGO’s remarkable Otello at Houstonia.

Houston Grand Opera Houston, Houston Grand Opera, Houstonia, Otello, Sydney Boyd, Verdi

Smashing Third Act: Rigoletto at HGO

January 25, 2014Sydney Boyd

  Verdi’s Rigoletto is built to be great. Love, revenge, and murder supported by an expert score that anticipates every nuance on stage makes this opera not only beloved, but practically fool-proof. Houston Grand Opera’s Rigoletto, a co-production with The… Continue Reading →

Houston Grand Opera Houston Grand Opera, Verdi

HGO’s Aida: Exquisite Singing, Geometric Dying

October 19, 2013Sydney Boyd

Verdi built balance into Aida. The four-act plot balances with the steady musical structure; exoticism miraculously balances with the universal trope of love. Houston Grand Opera celebrates Verdi’s bicentennial this year, opening its 2013-2014 season with Verdi’s beloved opera. Stunning… Continue Reading →

Houston Grand Opera Houston Grand Opera, Verdi

Make Way for the Orchestra! La Traviata at Opera in the Heights

October 6, 2013Sydney Boyd 1 Comment

Behind every great opera is a superb orchestra. Wagner envisioned a totalizing opera space in which the audience couldn’t see the mechanisms behind the art and hid the orchestra away in a pit. And in most opera houses, the orchestra… Continue Reading →

Opera in the Heights Verdi

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About Me

Sydney Boyd is a critic in Houston, TX. She studies how music shapes narrative temporalities in 20th-century literature in the English PhD program at Rice University, and, occasionally, returns to her origins as a violinist.

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