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Author: Sydney Boyd

Cosi at the Salzburger Festspiele

August 1, 2016Sydney Boyd 1 Comment

In a time when opera is trying to reinvent itself and competing with all number of entertainment that has to do much less work to seem relevant, Mozart’s Cosi Fan Tutte at this year’s Salzburger Festspiele is a remarkably original… Continue Reading →

Intermission Cosi fan tutte, Mozart, Salzburg

July is Renovation Season…

July 28, 2016Sydney Boyd

  …for Germany’s opera houses. It’s a cruel trick to imagine what I’ll be missing when the fall season opens across the country (in Berlin, the Staatsoper under den linden; in Bayreuth, the Margravial Opera House). I’m just hoping the Wortham will… Continue Reading →

Intermission

Wagner Festival in Bayreuth

July 26, 2016Sydney Boyd

I’ve just left Bayreuth, Germany, where the famed annual Wagner Festival began on Monday with Parsifal. Anticipation was high, the city on alert, as the Wagner-obsessed descended. After a few walks through town and visit to the newly-renovated Richard Wagner… Continue Reading →

Intermission Bayreuth, Wagner

Houston World Premieres of Note

June 22, 2016Sydney Boyd

…at Lone Star Lyric Festival, which runs through June 25. Classical music is funny about supporting new work and living composers, as the sage Alex Ross wrote about this very week regarding the Metropolitan Opera’s new appointment of Yannick Nézet-Séguin and the… Continue Reading →

Lone Star Lyric Alex Ross, Lone Star Lyric, Michael Remson, Omari Tau

Remembering Band Camp…

May 24, 2016Sydney Boyd

…Actually, the camp I went to was for symphony orchestra, not band, and it’s where I first learned what it meant to play in a string quartet (a shout-out to all Sounds of Summer Music Festival alumni in the Pacific Northwest!). Read… Continue Reading →

Uncategorized AFA, Houstonia Magazine, Summer Music Conservatory

Brave New World: The Opera

May 13, 2016Sydney Boyd

A letter from Aldous Huxley housed in the Woodson Research Center here at Rice University made me wonder what could have been (Bernstein’s response is not supplied): April 4, 1957. Letter to Leonard Bernstein. As a very busy man with… Continue Reading →

Intermission

What Trios They Were

April 30, 2016Sydney Boyd

In the Ensemble Theatre this morning at the world premiere of What Wings They Were: The Case of Emeline, I began to think about the advantages of a three-person opera. A historical recount of a civil case Emeline, a “free… Continue Reading →

Houston Grand Opera HGOco, What Wings They Were

Faure Requiem: All hail the Viola Section

April 27, 2016Sydney Boyd

Read my preview of Houston Symphony’s weekend concert at the Houston Chronicle.

Houston Symphony

No Spring like a Beethoven Spring

April 27, 2016Sydney Boyd

Hungarian violinist Kristóf Baráti and pianist Klára Würtz, performing Beethoven’s sonatas over two evenings, created a distinct familiarity with the music, the audience, and the art as the conclusion to Da Camera of Houston’s Menil Collection season. Following a night… Continue Reading →

Da Camera

Fear in Future Past

April 18, 2016Sydney Boyd

Read my review of Houston Grand Opera’s Siegfried at Bachtrack .

Houston Grand Opera Christine Goerke, Houston Grand Opera, Jay Hunter Morris

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About Me

Sydney Boyd is a critic in Houston, TX. She studies how music shapes narrative temporalities in 20th-century literature in the English PhD program at Rice University, and, occasionally, returns to her origins as a violinist.

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