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Month: February 2017

Houston World Premiere

February 28, 2017Sydney Boyd

The Rothko Chapel meets chamber opera: A collaboration of librettists Mark Campbell and Kimberly Reed and composer Laura Kaminsky, Some Light Emerges takes its premise from one of my favorite places. Read my interview with Campbell at Houstonia Magazine. It premieres March 16.

Houston Grand Opera Houston Grand Opera, Mark Campbell, Menil, Rothko, Some Light Emerges

Counterpoint Gone Wild

February 22, 2017Sydney Boyd

Who doesn’t love Bach for his fugues? In Bach’s 1738 instructional book on counterpoint, Precepts and Principles for Playing the Thorough-Bass, he writes: “It is played with both hands on a keyboard instrument in such a way that the left hand… Continue Reading →

Da Camera Art of Fugue, Bach, Da Camera, Mark Steinberg

Art of the Sonata

February 14, 2017Sydney Boyd

Chamber music has always been my favorite genre to perform. It’s a thrill, but one that is often underestimated. Performers like Lars Vogt and Christian Tetzlaff show how deep the art form can go. Read my preview of their Da Camera Houston… Continue Reading →

Da Camera Christian Tetzlaff, Da Camera, Lars Vogt

Verdi’s Requiem at HGO

February 13, 2017Sydney Boyd

I have a lot of memories of this work, and with an opera company at the helm, it was a refined performance. But the thing I’ll remember probably won’t be the music (Sasha Cooke, resilient hero, my hat is off to you).… Continue Reading →

Houston Grand Opera Houston Grand Opera, Patrick Summers, Sasha Cooke

Yo-Yo Ma

February 6, 2017Sydney Boyd

I really can’t express what an inspiration it was to hear Yo-Yo Ma perform. You read about these prodigies, but seeing is believing. Read my review at Bachtrack. PS: For all those curious audience members, his serene encore was the “Appalachia Waltz”… Continue Reading →

Houston Symphony Andrés Orozco-Estrada, Houston Symphony, Yo-Yo Ma

Calling all Scholars!

February 1, 2017Sydney Boyd

I’m proposing a session about my favorite things at the 2018 Modern Language Society  Convention in NYC and I would love to get your proposals! See the call below. (And wide range really means wide range, but if you have… Continue Reading →

Intermission Literature, MLA, Opera

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About Me

Sydney Boyd is a critic in Houston, TX. She studies how music shapes narrative temporalities in 20th-century literature in the English PhD program at Rice University, and, occasionally, returns to her origins as a violinist.

Recent Posts

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