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Month: November 2014

A Little Schumann with Your Beethoven?

November 30, 2014Sydney Boyd

A pizzicato—the string vibrating against the fingerboard, sound reverberating against the air for a tiny moment—opened all three pieces on the program last night at Jones Hall. Concluding Houston Symphony’s “Three Weeks of Beethoven,” the First and Fourth symphonies were… Continue Reading →

Houston Symphony Andrés Orozco-Estrada, Beethoven, Brinton Averil Smith, Girl at the Opera, Houston Symphony, Sydney Boyd

Passionate Control: Orozco-Estrada Continues to Impress at HSO

November 24, 2014Sydney Boyd

Houston Symphony presents a moving program of fateful works from Beethoven and Brahms to Mozart’s Requiem. Read my review at Bachtrack.

Houston Symphony Andrés Orozco-Estrada, Houston, Houston Symphony Orchestra, Sydney Boyd

OH’s Hänsel and Gretel will Knock Your Socks Off

November 22, 2014Sydney Boyd

Just because a story is about children doesn’t mean it’s only for kids. Opera in the Heights’ production of the Engelbert Humperdinck’s 1893 Hänsel and Gretel (with libretto aptly written by his sister, Adelheid Wette) is a marvel. With singing… Continue Reading →

Opera in the Heights Enrique Carreón-Robledo, Hänsel and Gretel, Opera in the Heights, Sydney Boyd

A Wig Slip Wonder: Cosi at Houston Grand Opera

November 4, 2014Sydney Boyd

A vanilla production of Mozart’s very fine Cosi, except for one refreshing accident! Read my review at Houstonia Magazine.

Houston Grand Opera Cosi fan tutte, Houston, Houston Grand Opera, Houstonia Magazine, Sydney Boyd

For Philip Guston

November 3, 2014Sydney Boyd

I sat for five hours in the Rothko Chapel on Sunday listening to Morton Feldman’s rarely performed For Philip Guston–a performance that was out of this world. Read my review of Da Camera’s courageous undertaking at Houstonia Magazine.

Da Camera Claire Chase, Da Camera, For Philip Guston, Houston, Morton Feldman, Rothko Chapel, Sarah Rothenberg, Sydney Boyd

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About Me

Sydney Boyd is a critic in Houston, TX. She studies how music shapes narrative temporalities in 20th-century literature in the English PhD program at Rice University, and, occasionally, returns to her origins as a violinist.

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