Counterpoint Gone Wild

Who doesn’t love Bach for his fugues? In Bach’s 1738 instructional book on counterpoint, Precepts and Principles for Playing the Thorough-Bass, he writes: “It is played with both hands on a keyboard instrument in such a way that the left hand plays the written notes, while the right hand strikes consonances and dissonances, so that this results in a full-sounding Harmonie to the Honour of God and the permissible delight of the soul.”

High stakes. The Brentano String Quartet is adding to them with their Art of Fugue, presented as part of Da Camera of Houston’s season next Friday, March 3. Read my interview with first violinist Mark Steinberg at Houstonia Magazine.

Sydney Boyd